Matthew 14 places a hard, brutal story in front of God’s people, but the text also lets four ironies rise to the surface. The Bible often sounds ironic to the natural mind, even when it is simply telling the truth. The meek inherit the earth, the first become last, and Haman hangs on the gallows he built for Mordecai. Matthew 14 gives that same kind of upside down flavor, only in a darker room.
Herod number one, Herod the Great, understood more about Jesus’ identity than his son did. Herod number one heard from the Magi that a king had been born, asked where the Messiah was to be born, and took Jesus seriously enough to try to kill him. Herod number two, Herod Antipas, heard about Jesus’ miracles and came up with a less plausible answer. Herod number two said Jesus must be John the Baptist raised from the dead. Herod had the relationship wrong and the person wrong. Jesus was not John’s follower. John was Jesus’ servant.
Herod number two was willing to believe John the Baptist had risen from the grave, but there is no record that he believed Jesus rose from the grave. Herod saw something supernatural, but he swung at the wrong pitch. John had not risen. Jesus would rise. That irony exposes how easily a person can put too much faith in man and not nearly enough faith in the Lord Jesus, when there is absolutely nothing Christ cannot do.
Herodias brings another ugly irony into the text. Herodias was more offended by John calling out her sin than she was by committing it. Herodias’ family situation was a whole soap opera, tangled up with divorce, lust, power, and forbidden marriage. John simply said, “It is not lawful for you to have her.” Herodias did not repent. Herodias plotted for the prophet’s head on a platter.
Herod then becomes the final irony. Herod wanted John dead, but when the moment came, Herod was grieved to order the death he had already desired. His oath, his dinner guests, and his need to show off trapped him. Sin often works that way. The very thing a person wants to do, while knowing it should not be done, becomes the thing that brings grief.
The cross stands as the greatest irony of all. The cross was ugly, an execution device, a place of blood, spikes, and death. God ordained that out of death would come life. Through the death and resurrection of Jesus, eternal life is given.
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Key Takeaways
- 1. Faith can swing at wrong pitches [35:21] Herod recognized that something supernatural was happening, but he misread the whole thing. He was willing to believe John had risen, while missing the One who actually would rise. A heart can be impressed by spiritual power and still refuse the Lord who stands at the center of it. [35:21]
- 2. Sin hates being named clearly [42:27] Herodias did not seem crushed by the sin itself, but she was furious that John told the truth about it. Sin often protects itself by becoming offended at correction. The faithful wound of truth feels severe only because hidden rebellion wants to stay comfortable. [42:27]
- 3. Desired sin still brings grief [45:52] Herod wanted John dead, yet he was grieved when his own choices forced his hand. Sin can promise satisfaction while quietly building the trap that removes freedom. The grief that follows is not accidental, because rebellion always asks for more than it first admits. [45:52]
- 4. The cross turns death to life [49:41] The cross was not a pretty religious symbol at first. It was an ugly instrument of execution, and yet God used it to bring eternal life. The gospel does not deny the brutality of Christ’s death, but declares that God brought resurrection life straight out of that death.
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