In a sermon that weaves together biblical narratives, personal stories, and cultural references, the speaker delves into the concept of hope as an enduring and rebellious act against the brokenness of the world. The sermon begins by highlighting the unshakable nature of God's word and its promise of presence, which stands as a beacon of hope amidst human failures and the exile of the Jewish people. The speaker underscores the importance of a hope that is tangible and present, a "down here God" rather than a distant deity.
The speaker then transitions to the idea of living at Jesus' pace, suggesting that by slowing down and giving of themselves, individuals can bring joy to a weary world. They draw inspiration from Wendell Berry's poem, which portrays hopeful living as a series of rebellious acts, such as loving the unlovable and asking unanswerable questions. The speaker encourages the congregation to embrace this hopeful rebellion during the Christmas season and to practice resurrection in the name of Jesus.
The sermon series on beloved Christmas movies, starting with "Miracle on 34th Street," serves as a backdrop for exploring how these stories reflect the life, death, and resurrection of Jesus. The speaker shares a personal experience of a student questioning their worth and love, connecting it to the universal longing for hope, joy, peace, and love. This longing is addressed by the biblical account of the angel announcing the birth of Jesus to the shepherds, offering hope and comfort to all.
The speaker also reflects on the historical context of the Israelites' exile and the laments of the book of Lamentations, which express a desperate need for hope. Isaiah 40 marks a shift towards comfort and hope, not based on the people's merit but on God's resolve. The speaker emphasizes that true hope is found in the gospel of Jesus Christ and his kingdom.
Finally, the speaker challenges the congregation to consider the nature of hope, contrasting blind optimism and self-made promises with Christian hope, which is a joyful anticipation of good. They critique the "Menlo Park cycle" of relentless pursuit of success and offer Christian hope as a compelling alternative. The sermon concludes with a scene from "Miracle on 34th Street," where the character Chris Kringle's belief in the intangible reflects the rebellious nature of true hope.
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